As I've mentioned in the past, I have a little theater about a half-mile from my front door. It has amazed me with its uncanny ability to get Gabe Dixon, David Mead, Harry Connick Jr., Patty Griffin, Branford Marsalis, etc. The 20th Century is a seemingly insignificant place, but it's been good to me.
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Imagine with me, fair reader, my delight in having a couple of friends join me at my front door for a walk on a warm spring evening. It led down to that selfsame 20th Century because of a band I'd heard and read about. It ended inside, staring at these four young men for about 90 minutes. It was one of the best live shows I e'er seed. Their name, collectively, which they share among themslves but not separately, is Mute Math.
I know what you're thinking. "That's a dumb name for a band unless they do exlusively Devo/Kraftwerk mash-ups, in which case it's not a dumb name, it's just uninteresting music." I know that. But we're not here to debate their name. Well, I guess we COULD debate the name. But let's not. Outside of this paragraph. And the comments section; you could do it in the comments box if you want to.
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Let my review of the show be summarized by what Jiff pointed out (he saw the same show 3 weeks later in CO): the evening starts with the drummer coming out and gaff-taping his headphones around and around his head. One thinks, "well THIS will be interesting." The band then launches into deconstruct-o rock, playing (sometimes) hooky music with a palpably unstable feel. The drums in their set were ALL OVER THE PLACE: that guy's arms have to be made solely of tendons. The lead singer played some percussion. The bassist often played the Cannon Drum, a boomingly mic'ed sucker that sat behind the drummer's head (the headphones came in handy there, I'm guessing). The guitarist played his delay pedal on a couple of numbers (that is to say, he laid his guitar down and just jacked with the effects on an endless loop). The lead singer played a gloriously un-cool Keytar (!), then some kind of homemade screech/scratch effect instrument that he then dismantled and let the audience play (with low levels of success). The bassist pulled out an electrified cello for a couple of numbers. It was wobbly, unpredictable, constantly-evolving excitement. And suffice it to say, this was the greatest small-venue light show I've ever seen. On the tiny 20th century stage, MM brought in, I believe, 12 MAC2000 spots (those are the ultra-controllable badass lights that all the stars use. They look like this:)
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I had a great time with my hep friends Droopy and Sam. I was one of the oldest people in the joint. The show was also sponsored by those pose-kings, Scion, who were giving out blinking-light necklaces to really add to that RAVE vibe I so enjoy. I figured the best way for me to be in the moment was to turn mine on, and wear it around my neck all night, which I did. The cool kids were looking at me like "don't you know you're just advertising for the SPONSOR, man? It's not COOL to be a TOOL." My return look said "blinking lights are fun."
The 20th Century has disco balls and often, the young punks aimed their cell phones lights at them, so that we were all covered in shiny motion. I liked that.
So it was a great show and a great night. It has since returned to winter here in Cincinnata, but spring is threatening. Then we can expect summer to arrive about 4 days after that. Good times. Thanks Mute Math! Just work on that name before you get too big.