That's what we always called Battlestar Galactica growing up. Hilarious. It looked like this:


I remember not liking that kid, but (as always) trusting Lorne Green.
Anyhow, there's been a new one out a while, and my pal Neil lent me Season 1 a while back. After giving him some of my opinions (he takes this BSG thing very seriously and wanted my takes), he asked me to write up something for his podcast. Below, my review, as written for him (you can click on the title for his podcast):

First of all, I want you people to know who I am. Unlike Mr. Neil, I am not a Galctica-loving, graphics-making Depeche-loving artist. But I am finicky, from an entertainment standpoint, in my own way: I’m a huge Arrested Development fan, love Wes Anderson, and love unknown musical acts like David Mead and the Gabe Dixon Band. What I’m saying is, my little neck of the media woods doesn’t include the Sci-Fi Channel. So know that. I am, though, a fan of all kinds of storytelling, so I did happen to take a Science Fiction class in college. The genre isn’t lost on me: I’ve always admired how one can very naturally explore existential questions in that field. As our (usually human) heroes deal with other life forms, we get to see, from a third-party standpoint, our authors discourse about racial problems, cultural differences, mortality, and every other sociological problem that would feel too on-the-nose if it weren’t about some alien species. I’ve always dug that sort of thing.
So I was not left cold when Neil excitedly lent me his copy of Battlestar Galactica’s season one. I’d heard positive things from all fronts about this series: EWeekly had raved about it many times, and other friends of mine have sung its virtues to me in casual conversation. Neil had even played the soundtrack for me, of which I was duly impressed. As I’m wont to do, I consumed all 5 discs with relish: I enjoy working through series’ stories in a concentrated way. If I don’t, I run the risk of forgetting the salient points as I move through the season. I also enjoy forming a cohesive opinion about the story arcs, the acting, and the way the show was put together. In this way, I am a nerd. Sure, that’s true. Sue me.
Let’s get on with my findings:
For starters, I really enjoy when a series complicates itself in a big-picture way. BSG did that in spades by not only setting its cast adrift in a cosmic no-man’s-land, but then pushing the envelope by calling all of its members’ allegiance into question (Is he human? Is she cylon?). Of course, this has been done recently (rather famously) by the Lost gang and their run-ins with the Others, and the ensuing questions about whether there were strangers among us. I actually think Lost qualifies as science fiction, but that’s another article.
I dig like crazy the fact that we’re made to believe the primary conflict is human-vs.-cylon (which, in a foundational way, it always will be), but it seems apparent by the end of the season that the focus will be on Commander Adama vs. President Roslin. That was a welcome and unexpected twist, as I’d grown to trust the ethics of both.
Before I praise the writers too highly, allow me to say that I find the B-story about cylon Boomer to be tiring: if she wanted to, she could take down BSG which much less fanfare or intrigue. Her cavorting around Caprica with Helo also feels like some sort of punishment for watching the program. I do wonder, though, what the Cylon collective will do when she’s actually tracked down (because it does appear that she’s actually turned against them for the time being). The other B-story that’s interesting to consider is Gaius’ ongoing wrestling with questions of fate-vs.-freedom and God-vs-nothing in his dialogues with Number Six. It’s an intriguing use of a classic sci-fi setup, but it leads me to this point about BSG:
I can’t stand the acting. Gaius and Number Six both ham up their parts with such relish, all these hot dogs need is a bun and we’re set for a picnic. James Callis’ cartoony portrayal of the effete Gaius is grating and, for my money, insulting to the viewers. Both he and Tricia Helfer (as Six) play such clichéd characters that I can predict half of the lines they project with cannon-like oversize. They are joined by Starbuck, the highly-talented-but-hard-to-handle-because-she’s-internally-tortured hotshot played by the outrageously perky Katee Sackhoff. Whether she’s affecting a sneer or a tear, I don’t buy a cent of it. Her partner, Jamie Bamber (as Lee Adama) also curls his cloying lip with the best of them. I wish BSG would’ve saved a buck or two on special effects and bought a more earthy cast. Of course, Edward James Olmos and Mary McDonnell, as always, are above reproach and bring pathos and gravity to their roles. I could watch those two all day, and always rather resent when the story moves away from their orbits. Unfortunately, they make up a tiny percentage of the acting troupe.
In between the writing and the acting lies the production. BSG clearly has a major movie-sized budget, as the set design and all technical aspects of the production come across as first rate. That is relaxing and assuring to me as a viewer: I’m always nervous with space-based endeavors that somehow, a Dr. No production value is going to slip through there, and the writers will have to suffer through the ignominy of their sirloin ideas presented in spam quality. BSG, though, is shot beautifully, rendered with flair, and absolutely sells itself as the genuine article. That is indeed a joy.
So, though I made it through Season One, it felt at times more like an assignment than recreation. The places the creators are taking the story are interesting and layered, and I’m appreciative. The acting, though, on the whole, feels hackneyed (which was a surprise, to be honest). Yes, the production is terrific, but with Starbuck’s ham-fisted groans, Lee’s tough-guy posturing, and Gaius’ precious pandering, BSG is adrift in more ways than one.
I for one hope they find their way to Earth sooner than later.